Saturday, January 9, 2016

Top 25 Movies of 2015

Another year gone by too quickly. So quick that I never had time to blog since the latest Fast & Furious movie. Overall, I'd say the the year 2015 was pretty good for movies, but NOTHING compared to what was released in 2014 (if you don't believe me, read my Top 50 of 2014). At least 2015 was good enough for me to list over 20 movies that I thought deserved a mention. A couple I believe are good contenders for the eventual Best of the Decade list. Without further do, here is my list:

25. Straight Outta Compton
 
I had to watch this one a couple times before adding it to my list. It was between this, and Love and Mercy as the music biopic to include on the list. I chose this because it has a deeper message on what the music business really was like for those that came from the more dangerous neighborhoods of America. It showed how anyone can achieve success, and it had one of the best ensembles of the year. I honestly didn't see any actors in the movie. I felt like I was watching the REAL thing happening with REAL characters. F. Gary Grey did an EXCELLENT jobs with his direction and casting of the characters. Even if this did beat out Love and Mercy (which was also excellent), at least Paul Giamatti can't be mad seeing as he played a manager in both movies, lol.

24. The Revenant
 
It's one of the best made movies of the year when it comes to planning out the shots this movie had, and the grueling atmosphere the actors dealt with to show off their realistic madness. It is one of those movies however that I wouldn't watch again immediately. It does feel kind of slow as the movie builds, but it still pays off nonetheless. Does it have the best cinematography of 2015? Hell yeah! Is it one of Leo's best performances? Absolutely. To some audiences, it's a hard to watch movie. It's like Apocalypse Now meets The Grey set in the 1820s. I do urge anyone who loved this movie to put it MUCH higher on their list than where I put it.

23. Furious 7
 
I know this might seem weird including this on my list above two much better shot movies, but this is my list and let me explain. The people behind this franchise know exactly what they're doing. This movie basically satirizes most action movies that come out today. It's over the top, it's hilarious, but still keeps that serious tone in check (which makes it funnier). You also have Kurt Russell in the movie, which makes this movie twice as good as he KNEW what he was signing up for. He always knows how to have fun with any role he's given and NAILS it in this one. The movie even gets serious at the end when it honors Paul Walker as this being his last movie, which is another reason of why I'm including it on this list. R.I.P. Paul.

22. Carol
  
This movie was so good in its first hour and ten minutes that I honestly thought it might make my top 10 on this list. It showed off its magnificent cinematography, production design and costume which director, Todd Haynes, has such a gift for. The best parts are Cate Blanchett and Rooney Mara's chemistry they have together. They were both perfect for this movie. Why so low on the list then? Probably because (without spoilers), the plot changes drastically at the end than where it honestly could've gone. I know it was in the book, but you can still make a great adaptation no matter how much it differs from the original source material. It doesn't distant itself too far from the ending I wanted (seeing as I still loved this movie), but there is some interference by certain characters in the movie which I felt were irrelevant from the start of it. It had a nice and original plot going for it, but then changes to something else I believe was made just to campaign for more Oscars. Either way, it made my list, and it deserves a shout out.

21. Steve Jobs
 
The thing I loved about this movie is that it doesn't just explore the amount of ego Steve Jobs gained throughout his career, but also how much his relationship with his closest peers decreased throughout his career. Aaron Sorkin strikes again with this brilliant screenplay that is nothing but intellectual dialogue. Some will definitely find this movie to be boring as the characters do nothing but talk throughout the whole movie. It's like a play basically. Michael Fassbender gives the performance of his career as Steve Jobs as Seth Rogen does as well playing Steve Wozniak. Wozniak, might be a more minor character in the movie, but probably the most pivotal part as he basically is the main one in all three acts to point out (or you could say narrate) all the flaws that Steve Jobs carries. It's basically told from Wozniak's point of view in how he always saw him, whether it's based on real life or fiction. Either way, it was great entertainment for me. Kate Winslet also deserves a shout out for her performance as well. :)

20. Digging for Fire
 
This is definitely an underrated gem that nobody saw in 2015. It's worth checking out, especially if you're someone who just got married or just had a kid. It explores the struggles and reliefs for those who are married and also those that aren't. It shows off the differences in one's character in who they are when they're with their spouse, and when they're not. The movie, 'Men, Women & Children' (my number 11 of 2014) sort of did the same thing (which also starred Rosemarie DeWitt in that plotline). This one however explores all the boundaries. Oh, and there's also a subplot about digging for a possible dead body in a stranger's backyard. I'm not going to tell you how it ends.

19. The Night Before
I swear to God, this movie was made specifically for me to enjoy. I completely understand those who probably wouldn't enjoy the movie, seeing as humor these days is very subjective. I am however thankful that an R rated Christmas comedy with three of my favorite actors working today exists. It's also great because it pokes fun at all the Christmas tales I hated when I was a kid. It spoofs them perfectly, and this made a great early Christmas gift for me personally.

18. The Good Dinosaur
 
This was probably the most surprising movie of the year. I honestly thought this would be bad as it had as many production problems as Cars 2 had. Different directors, numerous re-writes, yet they made a surprisingly better version of what is basically The Land Before Time meets The Lion King. I have no problem with that at all. It also has a great score which I love to listen to weekly. Seeing as this is only the first among three animated movies to make this list, I'll go ahead and say it was a pretty great year for animated movies.

17. Mission Impossible: Rogue Nation
 
Once again, Tom Cruise 1-ups himself when it comes to doing his own stunts. He also continues to produce some of the best action movies of today. I love that they brought back all the best characters from all four previous movies as well as introduce another great new character, played wonderfully by Rebecca Ferguson. The action is as great as the story and characters and is not worth missing if you're a fan of this franchise.

16. Bridge of Spies
 
After years of hoping that Spielberg and Hanks would work again on another movie, I'm glad to say I finally got my wish. They both deliver brilliantly on this Cold War epic, written by The Coen Brothers (yes, you read that correctly). As like Steve Jobs, there is mostly just dialogue in this movie and not much action. The amazing thing is that, Tom Hanks still comes off like a total badass in this movie, playing as a lawyer negotiating a trade between American and Russian spies. He still has that charm, with Spielberg still being a great storyteller behind the camera. Keep it up!

15. Me, Earl & the Dying Girl 
Another coming of age drama that once again hits all the notes it needs to hit in order to be great and original. It has the kind of plot that I would sort of write. It's basically about two movie nerds that befriend a girl in high school with cancer. The movie could honestly go anywhere with that type of plot, but it thankfully goes places that sends heartfelt messages to the audience on the importance of friendship and what could possibly happen if you decide to back away from the friendship you've built. This is also the type of plot that could've honestly been done with any age group when thinking of it. I'm just glad they had it with high school characters. I will also say that the climax features one of the year's best scenes. Definitely worth checking out.

14. The Walk
   
I'm surprised how under the radar this movie became, because it received great feedback. Robert Zemeckis still has not lost his touch when it comes to the Forrest Gump feel in showing how you can achieve anything you dream of. It's even more amazing when you realize this movie is based off a true story. It's basically a narrative version of the great documentary Man on Wire, but it doesn't leave out any details nor makes it too Hollywood. I'm glad this movie got made, and was surprised how well Joseph Gordon-Levitt pulled off the role of, Philippe Petit. It also has a nice Ocean's Eleven feel to it in the second half of the movie.

13. 99 Homes
 
The thing that this movie did so well is that it actually captured the feeling of loss and greed. That is something The Big Short forgot to do, although I did thoroughly enjoy that movie as well. It also features two of the year's best performers, especially Michael Shannon as a corrupt businessman profiting off of peoples losses in real estate. The plot really builds up nicely when he decides to bring Andrew Garfield's character, who had just lost his real estate, under his wing. It truly shows the emotional struggle that Garfield's character goes through and which side he eventually chooses when it comes to living the life he always wanted to live.

12. Room

Honestly, it's better to watch this movie without knowing what it's about at all. You'll probably enjoy it more. All I can say is that it's well directed, Brie Larson gives a performance as great as her overlooked movie 'Short Term 12', and it's quite shocking to watch. It is R rated, and there are some hard to watch scenes. I'm still not saying what they are, but they are great enough to make this movie my number 12 of 2015. Trust me, that's pretty damn good.

11. The Hateful Eight
 
I would say that Samuel L. Jackson carries this movie, but that would be an insult to all the other great actors in this glorious setting that Tarantino constructed. It was hard to avoid the spoilers for this after the script got leaked online, but I've gotta say, the wait was worth it. The dialogue is snappy, the performances are fun and hilarious, and the shots of everything are beautiful. Seeing the roadshow version in 70mm that featured an overture and intermission made me feel like I really was watching an old western from the 60s, only with much more graphic violence. For a three hour movie, this thankfully felt a lot shorter. It takes time to build up of course, but then it eventually turns into a who-done-it situation, kind of like the game/movie, Clue. It was also great to hear Ennio Morricone's chilling score, as well as unused tracks from previous movies he had scored for.

10. Ex-Machina
 
This is probably the closest I've seen to a Stanley Kubrick movie since A.I. I wouldn't be surprised if THIS was the movie that Stanley was originally visioning. Either way, Alex Garland makes a great substitute with this being his first film. It shows the truly haunting images that could occur in reality. It explores the ethics and emotions we as humans go through when it comes to communication with the machinery we create. All three actors in this movie show off their best work, especially newcomer Alicia Vikander, who plays the robot, Ava. Oscar Isaac's character also shines light as it is probably the closest fictional character to possibly resembling Stanley Kubrick himself when it came to creating something only he could truly understand.

9. Mad Max: Fury Road
 
I had no idea what to expect when walking into this movie, and whether it would live up to the previous Mad Max movies or not. Thankfully it became one of the best Mad Max movies, as well as one of the action movies of this decade. I was amazed how much detail could be included in just one simple story. It shows off the world more than it does the plot, because the plot is just about driving somewhere then just driving back; yet there is still SO MUCH HAPPENING within. The characters are well developed, the action scenes are mind blowing, and you come to understand the world as you witness each struggle the characters are going through. George Miller easily becomes a top contender as one of the year's best directors, as he used practical effects in just about every scene in this movie. It all looks incredible and it's not worth missing out on.

8. Spotlight
 
The thing I love so much about this movie is that this movie is about a team and not just one certain main character. It's about this team of writers of a newspaper who work hard and struggle to uncover a secret that's been happening for the past three decades. Every actor in this ensemble piece works well with the other. There are no cliches of one hating the other, or one preferring a certain character over another. There's no unnecessary conflict that occurs within the team, which makes the plot advance faster and the movie itself move 10 times faster. Tom McCarthy did an EXCELLENT job with with writing and direction. He doesn't waste any time at all getting to the point that the movie represents. If you liked the movie All the President's Men, you'll LOVE Spotlight.
  
7. The Martian  
  
For the first time in thirty years, Ridley Scott brings us a movie that is very re-watchable. This two and a half hour movie flies by with all that goes on. It is Cast Away meets Apollo 13 in this Sci-Fi thriller of astronaut Mark Watney (Matt Damon) who gets trapped on Mars after a terrible. It's then up to NASA to decide how to handle the situation and relies on Mark's team of astronauts to go back and save him while Mark struggles to survive on Mars with the resources he has. Like Spotlight, this is another team movie where everyone works together to advance the plot. The only difference is that this movie has a main character, played by Matt Damon. That makes this movie even better because he's easily the best part of the whole movie. I hope Ridley Scott learned his lesson after making this, because the only way you can make a great movie is if you have a great script with fresh ideas and original atmosphere. That is something his last 15 movies or so have had very little of, to me at least.
  
6. Inside Out
 
Welcome back, Pixar! I know I already mentioned The Good Dinosaur lower on the list, but this movie was the one that FINALLY gathered our attention. It does everything that we've wanted to see in a Pixar movie for the past five years. After having to suffer through Cars 2 and Brave, this was the breathe of fresh air that made up for it. It's also one of the most emotional movies of 2015 because it shows us a terrific visual representation of why we require each emotion in our lives. We can't always be happy (or "joyful") to help ourselves out in need. We need sadness, or fear, sometimes disgust, and even anger to get certain points across. It also shows what we go through when we eventually hit puberty and certain life situations that can be a struggle to deal with. The ending makes me cry every time. This is easily a top contender for the best animated feature of 2015 (or so I thought).
  
5. Kingsman: The Secret Service
 
Talk about the first big surprise of the year, which I honestly thought wouldn't be in my top 5 by the time the year ended. I was not expecting Matthew Vaughn to top his movie Kick-Ass, but when I saw the church scene in this movie, he not only surpassed Kick-Ass, he destroyed it! That scene features everything I want in an action movie, one long take, actors doing their own stunts, and the best use of a classic rock song I've ever heard in any action flick period. It also gave us great memorable characters that are as funny and clever as you can get. I loved Taron Egerton as our main character who's probably the most likable a-hole that I've seen in any movie. Colin Firth makes a great mentor to our main character. The best part though easily is Samuel L. Jackson as Valentine, the most hilarious villain I've seen in quite sometime. He's basically just a psycho who's rich and wants to kill off 90% of the whole world, yet he hates doing any killing himself because he can't stand the sight of blood. He also has a hilarious lisp. Jackson's performance in this is probably the most overlooked of the year, but I'm still glad that this movie did get great reception. I can only hope we get more movies as funny, clever and action packed as this one. :)
  
4. Sicario
  
In this intense thriller, which is basically Zero Dark Thirty meets Traffic meets Training Day, Emily Blunt gives the performance of her career as Kate Macer who's invited to work on a special forces team, where she learns how different they operate compared to her. She also learns about Alejandro (played wonderfully by Benicio Del Toro) who's also working with the special forces and how he differs from everyone else as well. It is nail-biting from beginning to end. The cinematography, sound and editing deserve Oscar nominations for the amount of intensity shown. This is easily the best piece of work Denis Villeneuve (director of Prisoners) has directed so far.
  
3. Creed
 
As a huge fan of director, Ryan Coogler (director of Fruitvale Station), I was excited for this movie the moment I read his name on IMDB for this project. Seeing him and Michael B. Jordan deliver ANOTHER great character study with Stallone reprising his role as Rocky Balboa was a dream come true. THIS is how you reboot a franchise Hollywood! Take lessons from Ryan Coogler. It was great to see Rocky pass on the torch to somebody else finally without him getting back into the ring himself. We saw that already in Rocky Balboa, and it ended beautifully. Looking at this movie, this is kind of similar to what Rocky V (Stallone's least favorite Rocky movie) was trying to be when it came to Rocky training a newcomer. Thankfully, writer-director Ryan Coogler knew how to finish the job correctly and how to possibly end the whole Rocky franchise for good. Well done!
  
2. Star Wars: The Force Awakens
 
Watching this movie was probably the most fun I've ever had in a long time. It has EVERYTHING that I personally wanted to see in the Star Wars universe. New great lead characters, new droids that actually advance the plot instead of interfere, Han Solo is back, and a great new set of villains. The character of Rey especially is so great as a lead female, that she puts Furiosa from Mad Max: Fury Road to shame. The movie is two hours and fifteen minutes long, but it felt like less than an hour watching it. It moves SO QUICK! So much happens and I was not bored by this movie at all. I've watched the movie three times now, and it only continues to get better every time. You might be thinking that it's too high on the list and will address that it's basically a remake of Episode 4, but I disagree. It might have certain parallels in story arcs, but the new characters are nothing like the old ones. I can also include that when I watch a film, I always worry about the characters more than the plot itself. If the characters are that engaging, then you can write in whatever plot you want as long as it works for the characters and their motivation. In this movie, it most definitely did. You could say the same thing about Mad Max as well. Either way, I enjoyed this movie SOOO MUCH that I commend J.J. Abrams and Kathleen Kennedy for giving us a film that us Star Wars fans wanted for the longest time. #InJJWeTrustFOREVER
 

1. When Marnie Was There
   
The minute I finished this movie, I said to myself "Okay! Year's over! This movie wins! Everything else is runner-up!". That statement still remains true to this day. I was still at least two months away from Star Wars being released, and I already knew this masterpiece about the deepest meaning of friendship and being thankful for what we have, could not be topped. I am fully aware that no one saw this movie as it had a VERY limited American release, which is shameful because the company that made this also was behind such critically acclaimed movies as Spirited Away and Howl's Moving Castle. Studio Ghibli is the name behind all those pieces of work, and this film was possibly the last they ever made as they have currently shut down their studio without any news on whether they'd make another. They are basically the Japanese Pixar to where they make animated films for all ages, but focus on story and characters first. This one did even more than most Ghibli movies do. They are usually known for making movies with strong characters mixed with (beautifully drawn) mystical elements like flying castles or spirit creatures. In this one, it is just human characters throughout the whole movie featuring one small possible mystical element that we the audience don't know even exists in the movie or not. Here's the plot:

The plot is about this girl named Anna who has been going through social anxiety for most of her life. She is an orphan who lives with her guardian who sends her off to smaller town in the country to try and help her overcome that anxiety and give her a better feeling in life. When in the town she discovers this big house and befriends this girl named Marnie who supposedly lives in that house. They become best friends as not only do they begin to enjoy life together, but also discuss their personal issues on what they're both going through. Their relationship becomes so in-depth that we begin to see all the sad events in their life as well. They become SO close to one another that Anna even questions if Marnie is just a figment of her imagination.
 
I'm not going to say what it is, but what I can say is that it pays off BIG TIME. I have never cried this much to a movie in a very long time (aside from Inside Out and Star Wars). It explores so much of the characters thoughts and struggles that I very rarely see in movies made today. It affected me because there are at least a few people I know personally that have gone through the same issues the main characters go through in the movie. It also shows the most passionate representation of friendship between two female characters that I've ever seen in any movie ever (Anne of Green Gables aside). It's nearly everything that I've wanted to see in a movie when it comes sadness, friendship, family, and honoring the environment you are in. It is EASILY the best movie of this year and also a top-tier contender for the best of the decade. It may not personally affect most audience members like it did me, but I still highly recommend you see this movie to gather what you can from it. It is a movie that I will never forget, and hopefully the world will not either.

Wednesday, April 1, 2015

Fast & Furious Review

Before I start the review, I must ask why they went with the title of Fast & Furious instead of just calling it Fast & Furious 4. I'm fully aware it is a prequel to the third movie, but it's still a sequel to the first and second movie. It also has story lines that fall with the first and second movie. I can only imagine them using that title if they ever did a reboot, but nope. This is the case.

Anyways, the plot is pretty much the same as the first two movies. Brian O'Connor (Paul Walker) is back again undercover, only this time he's working for the FBI. The FBI is still trying to take down Dominic Toretto (Vin Diesel), but has had no luck ever since Dom's and Brian's last encounter from the first movie. When one of Dom's close partner's suddenly dies, Brian is back on the case and decides to track down Dom. This time however, Brian isn't going to Dom to convict him, but instead to ask him for help to take down an even bigger threat in the illegal street racing world, where in exchange, Dom would get full immunity and zero conviction.

It's great to see Paul Walker and Vin Diesel working together again. It's just too bad however that the plot just doesn't work here in this movie as it would've in the second Fast & Furious movie had Vin Diesel played Tyrese's part. It also feels inconsistent in the time spectrum, because unless the third Fast & Furious movie is set in the future, that would mean this movie as well as the next two movies all take place within just one year? How is that?

When Brian finally reunites with Dom's sister Mia, she says "it's been four years, Brian". The first movie came out in 2001, which means the fourth movie takes place in 2005. The third movie came out in 2006. If I'm correct on this estimation, this movie starts off the craziest year ever for the lives of Dominic Toretto and Brian O'Connor. Unfortunately, I didn't find the beginning of this crazy year for them to be as well written or as enjoyable as the first encounter with Dom and Brian. Some chemistry felt forced or lost, and the action scenes weren't that exciting to view except for the beginning. I only recommend watching this film as a build up to a much better two sequels.

**1/2   

The Fast and the Furious: Tokyo Drift Review

This one is pretty interesting because this movie takes place in time AFTER the events of the fourth, fifth AND sixth movie. It's also a little strange because this movie came out in 2006, which makes me question if it takes place in the "future" way beyond the year 2006 or not? This isn't into the actual review yet, but I just thought it'd be interesting to point out.

We don't have Paul Walker in the movie at all this time. Instead we follow a character, Sean Boswell (Lucas Black), who's the redneck type who loves cars and street racing but is always getting into trouble as you'll see in the opening scenes. This gives him no choice but to move away from his mom and live out with his dad in Tokyo, Japan. He of course doesn't fit in and immediately gets bullied on his first day because he doesn't know how to drift in a car during a street race. Umm... okay then. He then finds a couple friends to help him learn how to drift so he can take down the bully in upcoming street races. His first friend, Twinkie, is played by rapper turned actor Lil Bow Wow, who never explains how he arrived in Tokyo or how long he's lived there and is just there to encourage him to succeed (literally nothing else). He pretty much plays himself in the movie. His second friend, Han (Sung Kang), is the one that teaches young Sean how to drift and provides him with numerous cars to practice with. There's of course this girl named Neela, who Sean is attracted to, but can't date her because she's going out with the main bully, D.K. It's up to Sean to use his mad drifting skills to win her heart and the race as well.

Is it just me or is this The Karate Kid mixed with street racing (The CARate Kid?). It surprisingly however, intrigued me to the very end. I will say that I am a sucker for karate kid related plots, but this one felt more genuine. They actually focus on Sean's character more than the street races themselves like the previous two movies. This one was surprisingly more plot driven because it felt like there was more for Sean's character to lose. It's weird, but I liked this movie overall.

This was the first movie written by Chris Morgan and directed by Justin Lin who have directed every Fast & Furious movie since this one. It's interesting how this one felt more dramatic, and yet the kind of series they turned it into later is completely opposite. I am also interested to know why they made this one before movies 4-6. Either way, I'm glad I enjoyed this movie a lot more than I thought I would.

***

2 Fast 2 Furious Review

There's really no reason to watch this one unless you want to know the origins of Tyrese Gibson's and Ludacris' characters since they don't appear in the series again until the fifth movie (which is when they started getting good). Just FYI.

Brian O'Connor (Paul Walker) is now undercover again, only this time he's taking down a Miami drug lord. Yes, he moved from L.A. to Miami. He's also not a cop anymore, but has to go undercover to take down the drug lord in order to clear his arrest records and avoid jail time. What was he arrested for? Why it's street racing of course! He of course can't accomplish that plot, alone, and needs a supporting character with him. Is it Vin Diesel?!... nope. Instead it's Tyrese Gibson! Cue the cricket sounds. It's pretty obvious that the movie wasn't going to succeed if they didn't have Vin Diesel apart of this one, because that's what made the first one so entertaining was the chemistry of these two.

Tyrese Gibson plays Roman Pierce, an old childhood friend that grew up with Brian and also has records he needs erased, which leads to him joining Brian on his crazy undercover adventure. That's really about it. Ludacris' character, Tej, does provide some entertainment to the mix as the guy who runs all the races that happen in the movie. I'm not going to get into who the drug lord is, or who the love interest is, because you never do see them in any sequels again, and they're pretty much a cardboard cut out of characters from other previous cop movies. 

Even though the plot is terrible, the movie is still watchable. There's some fun races here and there, and at least director John Singleton knew not to waste the charisma that Paul Walker carried in the first movie. Tyrese and Ludacris do all right with their parts too, but they do A LOT better in the fifth and sixth movies. Again, there's no real reason to watch this movie unless you like more car races or to want to know the details and origins of Tyrese and Ludacris' characters. Thankfully the movies in this franchise get better from here.

**

The Fast and the Furious Review

Imagine if they took the plot to the movie Point Break and instead decided to mix it with street car racing. That's literally the result of this movie. Officer Brian O'Connor (Paul Walker) goes undercover and enters the street racing world to take down and convict the kingpin himself, Dominic Toretto (Vin Diesel). The only catch is, he kind of falls in love with Dominic's sister, Mia (Jordana Brewster) as well as the street racing environment itself, and has to face the choices he has to make when it comes to doing his job, and being a true friend to the bros of street racing.

I can easily imagine a newcomer Hollywood exec was thrilled and greenlit the project immediately after hearing that shitty plotline. 

Nevertheless, the movie does offer us plenty of great action scenes and surprising chemistry with each character to make the movie more enjoyable than it sounds on paper. The street racing is pretty realistic as well since the production back in 2001 required the effects to be more practical and less CGI. Most the characters are memorable as well, but it's really the bromance of our two lead characters of Dom and Brian that are the main focus to this soon-to-be major franchise. 

This is probably the only movie in the franchise that takes itself more seriously than the rest do. It was just your average summer flick that got lucky at the box office back then before they turned it into what it is today (and I mean that in a good way). If you're still looking for a good racing movie with many memorable moments as well as characters to 65% give a shit about, then this one I can probably recommend.

***   

Thursday, February 19, 2015

RTL Awards 2014

Best Picture 

Winner: Interstellar
Other Nominees:
  • Birdman
  • Boyhood
  • Gone Girl
  • Whiplash
Even though Boyhood was my number film one of the year, I'm giving Best Picture to Interstellar because I think it'll hold up longer like 2001: A Space Odyssey. It also feels more like a movie than an experiment for original achievement like Boyhood or Birdman. It also entertained me more than any other film. Boyhood also has all the respect it needs, while Interstellar I believe needs a boost in being honored.
 


Best Popcorn Flick

Winner: Guardians of the Galaxy
Other Nominees:
    • Captain America:
      the Winter Soldier
    • Edge of Tomorrow
    • The LEGO Movie
    • X-Men: Days of Future Past
No surprise really. I love all these, but Marvel has it going for all audiences to enjoy. Hopefully we have more flicks like this along the way.

    Best Animated Feature 

    Winner: The LEGO Movie
    Other Nominees:
    • Big Hero 6
    • How to Train Your Dragon 2
    • The Tale of Princess Kaguya
    A pretty good year for animated features, even though none of these came close to Wreck-It Ralph or Toy Story 3 in my opinion, but still they were great nonetheless. The LEGO Movie was the most original and that's why I picked it. It's too bad that the Oscars were too scared to even nominate it, which might be a contender for worst snub of the decade.


    Best Director (a tie!)

    Winners: Richard Linklater (Boyhood)
     Winners: 
    Alejandro G. Iñarritu (Birdman)
    Other Nominees:
    • Damien Chazelle (Whiplash)
    • David Fincher (Gone Girl)
    • Christopher Nolan (Interstellar)
    I couldn't leave one out. They both accomplished something that Hollywood thought was possible. Linklater used time devotion to tell a story in a whole different manner with the best kind of message to it, while Iñarritu used artistic illusions (one enormous take trick) to make the audience feel like they were apart of the experience. I also gave Interstellar the Best Picture award and I thought it would be bullshit to not have Boyhood or Birdman get one of the top 2 awards. Problem solved.


    Best Actor

    Winner: Jake Gyllenhaal (Nightcrawler)
    Other Nominees:
    • Bradley Cooper (American Sniper)
    • Tom Hardy (Locke)
    • Michael Keaton (Birdman)
    • Matthew McConaughey (Interstellar)
    With a crowded room a terrific lead actors for 2014, I still think Gyllenhaal won this in a landslide. People are calling his character, Lou Bloom, the new Patrick Bateman (from American Psycho) of this decade. I think he's actually better written and performed ten times more than Patrick Bateman. His attitude is more original, his goals/plotlines are more detailed, and he's smarter and more clever as well. I think Jake Gyllenhaal is now one of the best actors working today looking at his line of work from the past few years, and this role of Lou Bloom tops ALL of them. Shame on you Academy for not nominating the more challenged roles!

Best Actress

Winner: Rosamund Pike (Gone Girl)
Other Nominees:
  • Scarlett Johansson (Under the Skin)
  • Julianne Moore (Still Alice)
  • Reese Witherspoon (Wild)
  • Shailene Woodley
    (The Fault in Our Stars)
I'm not gonna lie, but I was very close to giving the award to Julianne Moore since she gave the best performance among any character with Alzheimer's that I've ever seen. In the end, Rosamund Pike deserved it more because first off, she's British and pulls off a great American character without breaking accent once. The second reason is that her character is ten times more complex and isn't suffering from a disease that the Oscar voters tend to vote for anyways. The last reason is that the better performances always seem to come from the villainous characters because it gives the actor more to provide instead of hold back like most of the heroic characters do (until the climax happens).

Best Supporting Actor 
 
Winner: J.K. Simmons (Whiplash)
Other Nominees:
  • Adam Driver (What If)
  • Ethan Hawke (Boyhood)
  • John Leguizamo (Chef)
  • Edward Norton (Birdman)
Once again, another villainous character gets awarded. I really did want to give it to Ethan Hawke since he was the best part about Boyhood for me, but J.K. Simmons knocked this one out of the park that it would feel VERY wrong not to award him for it.


Best Supporting Actress
 
Winner: Patricia Arquette (Boyhood)
Other Nominees:
  • Laura Dern (The Fault in Our Stars)
  • Kim Dickens (Gone Girl)
  • Rene Russo (Nightcrawler)
  • Emma Stone (Birdman)
When I saw Boyhood, I didn't see Patricia Arquette from Medium or any of her other known roles in this movie, I saw a struggling parent. That's the closest thing to real life I've seen in a performance that wasn't played by Ethan Hawke, the other great half of the movie. She obviously won this in a landslide, but the other nominees are still well deserving. I thought Kim Dickens and Rene Russo were very overlooked and I thought Laura Dern was nominated for the wrong movie. Thankfully the Academy got Emma Stone right, but sorry to say she just wasn't as good as Arquette in comparison. That's what not devoting a role for twelve years will do to you I guess? lol


Best Original Screenplay
 
Winner: Nightcrawler
Other Nominees:
  • Birdman
  • Boyhood
  • Chef
  • Locke
Nightcrawler for sure takes the top spot when it comes to originality. The other nominees are great, but this one felt the most refreshing.


Best Adapted Screenplay
 
Winner: Gone Girl
Other Nominees:
  • The Imitation Game
  • Men, Women & Children
  • What If
  • Whiplash
It was almost a coin flip between Gone Girl and Whiplash because both writers adapted from their own material. I ended up going with Gone Girl in the end because there were more twists and fantastic written female characters we the audience definitely don't see much of today.


Best Cinematography
 
Winner: Birdman
Other Nominees:
  • Enemy
  • The Grand Budapest Hotel
  • Ida
  • Interstellar
They all look great, but Birdman was a pretty obvious choice. Moving onto the next one already.


Best Production Design
 
Winner: The Grand Budapest Hotel
Other Nominees:
  • Big Eyes
  • Foxcatcher
  • The Giver
  • Snowpiercer
It might not seem like it, but this was actually a very hard decision for me to make. I was heavily debating between this and Snowpiercer from the way they make that train look. I eventually caved in and gave it to this because there were more sets and designs involved with this production. Plus it's a friggin Wes Anderson film for crying out loud!

Also for those questioning the Foxcatcher nomination, it had one of the best replicas of the Du Pont estate and wrestling rings that I've seen when comparing it to the original footage.


Best Costume Design
 
Winner: The Giver
Other Nominees:
  • The Grand Budapest Hotel
  • Guardians of the Galaxy
  • Interstellar
  • Maleficent
I think that due to the failure of this movie that its brilliant production was vastly overlooked. Even Harvey Weinstein who's the producer of this movie couldn't save it. Either way, I thought the costuming was really good when it came to the setting of a futuristic utopia. It's like they focused more on making the film look good instead of its screenplay or actors (with the exception of Jeff Bridges of course). I still liked the film for what it showed, but it really could've been much better. At least they got the costumes perfect.


Best Film Editing
 
Winner: Whiplash
Other Nominees:
  • Nightcrawler
  • The Raid 2
  • Snowpiercer
  • X-Men: Days of Future Past
Screw you movies of 2014! The fact that I had to pick only five nominees for Best Editing among MANY is excruciating! Thankfully, after seeing Whiplash's final sequence, I finally calmed down and declared it my winner. X-Men almost had it though with the Quicksilver sequence. 


Best Sound
 
Winner: Godzilla
Other Nominees:
  • Begin Again
  • Fury
  • Interstellar
  • Whiplash
The roars and atomic breath sound effects still hold up after 8 months. Even though there wasn't much of Godzilla in the movie, it was still worth it the way they made him look and sound.


Best Visual Effects
 
Winner: Interstellar
Other Nominees:
  • Dawn of the Planet of the Apes
  • Godzilla
  • Guardians of the Galaxy
  • X-Men: Days of Future Past
Pretty much any movie that uses practical effects for most of the movie gets an automatic win for me. I love that Christopher Nolan still respects old school filmmaking. My mind was blown when I first found out that the robot, TARS, was nearly all practical effects. Well deserved in this category for sure.


Best Makeup
 
Winner: Guardians of the Galaxy
Other Nominees:
  • Foxcatcher
  • The Grand Budapest Hotel
  • Maleficent
  • Snowpiercer
I always found that the Sci-Fi genre always seems to hire the best people in the Makeup department, and it really showed off in Guardians of the Galaxy. Foxcatcher almost had it though.


Best Score
 
Winner: Interstellar
Other Nominees:
  • Birdman
  • Gone Girl
  • Jodorowsky's Dune
  • Nightcrawler
This was the easiest pick among all the categories. Not only is this EASILY the best score of 2014, but probably the best score of the decade so far. This is Hans Zimmer at his best and probably most personal. When I first heard the music to the cornfield chase scene (which is presented in the video above), I was immediately hypnotized and awed by that sound of music. I listen to that track (along with nearly every other from the movie) at least once a week (sometimes once a day). This is like on John Williams scoring E.T. level of genius. I wouldn't be surprised if Christopher Nolan had to re-edit the film due to Zimmer's touching score like Spielberg did with the ending of E.T.


Best Song
 
Winner: Begin Again [Lost Stars]
Other Nominees:
  • The Hobbit: Battle of Five Armies
    [The Last Goodbye]
  • The Hunger Games: Mockingjay Part 1 [Yellow Flicker Beat]
  • The LEGO Movie [Everything Is Awesome]
  • Lucy [Sister Rust]
Every time John Carney makes a film, it just happens to have the best song of the year in it for me. First it was Once, now it's Begin Again. I like this one the most because it's the most poetic, and there's also other versions of the song performed in the movie which gives the characters the dilemma of which version sounds the most right. This version does of course, and that's why I'm giving it this award.


Best Ensemble
 
Winner: Birdman
Other Nominees:
  • Begin Again
  • Gone Girl
  • Guardians of the Galaxy
  • Men, Women & Children
Another easy pick, giving that this is an actors movie after all. Having to perform 15 pages of script in one take for each scene of the movie sounds like a daunting task. Glad to see that Michael Keaton and his co-stars pulled it off perfectly.


Best Film Debut 

Winner: Nightcrawler (Dan Gilroy)
Other Nominees:
  • The Babadook (Jennifer Kent)
  • Bad Words (Jason Bateman)
I wish there could've been more options for that year in this category, but I probably would've given this to Nightcrawler anyways. One hell of a great job for a first feature film.


Most Overrated
 
The Theory of Everything
Just for the record, I do not hate this movie. I think Stephen Hawking is an exceptional gentleman who deserves to have his story told from everything he struggled with and what he accomplished. I just thought the film was very dull in the second half and didn't make me want to stand up and clap for it in the end. The performances were good, it was well filmed, and even the above average score didn't emotionally impact me with what was going on in the movie. If you replaced the music in the movie with Hans Zimmer's Interstellar score, it wouldn't make much of a difference. It's still a good movie for what it could provide, but the nominations it's getting for Best Picture and Adapted Screenplay?... no. I can't believe Eddie Redmayne could possibly win an Oscar for this in comparison to Jake Gyllenhaal in Nightcrawler who wasn't even nominated. It means to get in the Academy's club in winning, all you have to do is play someone physically handicapped, especially if that physically handicapped person is still alive today. I have massive respect for Stephen Hawking, and decent respect for this movie as well. Calling it one of the best of 2014 though seems pretty extreme in comparison to what else came out that year.


Most Underrated
 
Men, Women & Children
I honestly don't get why this movie was so hated if American Beauty was that much of a hit. It's like American Beauty for the next generation almost, and the audience missed the opportunity to wrap their minds around it. To be fair, it does address certain subjects that would be a little difficult to bring up in therapy even. It is also really dark on a Requiem for a Dream level, only the mental health is more at stake than physical health. Nevertheless, the film addresses the issues perfectly enough to understand, and it seemed like the attention span for most of the audience came up short. There were a lot of underrated movies of 2014 like Chef, Edge of Tomorrow, Bad Words, What If, Begin Again, Locke, and MANY others, but it was easy enough to list this as my most underrated movie because of the opportunities missed to discover what this movie really is. Now with the low rating on rotten tomatoes (since critics didn't get this either for some reason), it's just gonna be another ignored and forgotten piece of cinema that was made by that guy who made Juno, only he wanted to be "darker" with his films. When I hear that in times to come, I will say nothing but "bull fucking shit!".


My Most Guilty Pleasure
 
The Giver
To be fair, it did get plenty of things wrong, like making Meryl Streep's character too big a role; or making it seem really fast paced when it really didn't need to be; or turning the main characters from age 12 to age 17, pretty much nearly ruining the whole meaning of the book when it comes to discovering the true meaning of life! I digress though, because the movie did do plenty of stuff right as well. The actors were good with the roles they were given, the first half was completely in black and white like it was supposed to be, and the cinematography, sets and costumes were fantastic! It also was pretty entertaining to where I wasn't as bored as I thought I'd be. It's kind of funny on how I thought the talking scenes were less boring than the "action" scenes (when the whole movie should've been talking in the first place). I like this movie because it is beautiful looking and I hope to see more work by the people behind the scenes that aren't the writers, director, or producers especially. Overall, this movie is pretty all right if you're looking for some nice eye candy, which is what I look for when I'm bored.


Best Hero
 
Starlord 
(Guardians of the Galaxy)
Some Guardians fans are probably shouting at me for not going with Groot or Rocket Racoon, but if your favorite character from the movie is the MAIN LEAD character, then he has to be a damn good protagonist to root for. A hero is great if he or she is funny, likable, kicks ass, charming/good looking (or both) and uses interactive pop culture references. Starlord does all that in his sleep, and that is why he is EASILY my top pick for Best Heroic character of 2014. Plus he uses a Walkman for his own entertainment. That's what already sold me in the first place. :)


Best Villain
 
Louis Bloom (Nightcrawler)
A character who is desperate for money but takes care of themselves very efficiently results in very good or very bad situations. That's what you see in Louis Bloom on screen. He gets too god at his job of night-crawling that he eventually alters the situations he films in order to get more money for the more accidents he films. He is very cutting edge, but also very polite to characters that decide to be on his side. He's so much of a villain that even the score of the movie is performed like you're supposed to be rooting for him, like HE IS the one who made the movie Nightcrawler. Such fun stuff.


Best Scene
 
Winner: Whiplash [Final Sequence]
Other Nominees:
  • Begin Again [Dan's Epiphany]
  • Interstellar [Cornfield Chase]
  • Nightcrawler [Montage]
  • X-Men: Days of Future Past 
  • [Quicksilver Time Sequence]
I can't really explain too much why. You just have to watch the movie for it to impact you the way it did me. If you already have seen the movie, all I can ask is, WASN'T THAT A GREAT ENDING?!


Special Category
(Best Documentary)
 
Winner: Life Itself
Other Nominees:
  • Citizenfour
  • Jodorowsky's Dune
I will say that it was quite the year for documentaries, even though I only saw three of them. I can already be sure that a documentary about my favorite film critic of all time would've easily won this category anyways, had I even saw ten times more. It's great to see that Steve James still has it in him after making Hoop Dreams 20 years ago. Glad he could make one about the guy who honored that film as well.


Best Quote
 
Terrence Fletcher: "There are no two words in the English language more harmful than good job"
(Whiplash)
There's a back story that his character tells about someone in the movie, which is why that quote makes so much sense after hearing it. It's what I consider to be the best quote because it makes me wonder if that's more truthful than I want it to be. Do I want it to even be true at all? It makes for a whole debating topic that would have so many different pros and cons to it. It also makes for a great proposal from the character of Fletcher, with him asking if they want to step into his world or not. I can't tell if it would make me a dark person or not by using this quote if I want someone to succeed at something. What do you think?